Lisa María Madera
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​A Flor de Piel


5/11/2020 0 Comments

I was born on the wings of death.

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Perhaps we all are.

​Before my mother travels to Quito for my birth, my parents send my oldest brother out in the MAF Cessna with Frank Colinger, a single American missionary, to Arajuno.

Arajuno is a Kichwa community with an airstrip built by Shell, the Dutch oil company in their search for oil in the late 1930's. Between 1945 and 1962, 23 new Evangelical churches and missions are welcomed to Ecuador in part to challenge the iron grip of the Catholic church over the country, but also with the hope that they would successfully missionize the Amazon, “pacifying” the people and opening up the Ecuadorian Amazon to oil.

As they work to bring Christ’s gospel to the Amazon, the missionaries use the abandoned oil strips to reach the forest communities. Arajuno is one of the river communities on these strips. 


My brother is 10. He follows Frank down mud paths from house to house visiting families, sitting on wooden benches, drinking chicha. They hunt in the forest. They watch the rain.

They watch the river rise.

Several days into their visit, tragedy strikes.

While my brother stands on the bank watching, a canoe carrying children across the flooded river to school overturns. 10 children drown. Sisters, brothers, cousins--all lost to the swollen river.

One by one, the river gives up the bodies. One by one, the fathers and uncles pull their children in. The children are older and younger than my brother. Some families have lost more than one child. 

For the next few nights, my brother follows Frank from house to house as they attend the wakes. At every house, as they approach, they can hear the wailing. The keening pierces the forest, a sharp song of sorrow that flows through the darkness and continues through the rising light of day, it swells with the sun and falls after noon and then calls for the darkness to return. Sometimes the rain swallows the song and sometimes the sorrow swallows the rain.  


My brother comes to me cloaked in the spirits of these children.

Years later he tells me that when he sees me for the first time, he recognizes me. 
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    About the Author

    Lisa Maria Madera is an Ecuadorian American writer and educator whose work explores how cultural narratives shape our individual and communal relation to the Earth and her creatures.

    Madera's work has appeared in Ecopsychology, Hypertext, JSRNC, Minding Nature and in Kinship: Belonging in a World of Relations forthcoming from the Center for Humans and Nature. Her short story Luz Maria has been nominated for consideration in Best American Short Stories 2021.

    ​Dedicated to fostering compassionate and resilient communities connected to Nature, Madera also designs and hosts trips to Ecuador providing opportunities for observation and reflection on how our relationship to the world is shaped by the cultural narratives that define us.


    ​Madera offers her work in a vision of hope and blessing that these reflections might empower all of us to realign our relationship in kinship to the Earth, to her many creatures, and to each other, ultimately realigning ourselves in right relation to the world around us so that we might live sustainably and in community.

    Madera is currently working on a memoir entitled The Covid Chronicles: Lessons from Pacha Mama in the Face of Despair.     

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