Lisa María Madera
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​A Flor de Piel


2/14/2025 0 Comments

Live with Beauty

There are those early flashes of memory. 

For me, the smell of the puppy. The grunt as I lift him. I still feel his warm fat belly pressed into the cup of my palm. His smell. His warm milky, dust-ridden smell. 

I remember pressing my ear down into the amber wood of our dining room floor, straining to hear below me in the dark. Flicka, our German Shepherd half-mutt, would give birth in the adobe caverns under the house. Impatient, I would go down there with a flashlight and my brother, looking for Flicka and her dirt nest with her treasure of squirming pups. I’d always choose the black one. The smallest. The runt. Blackie, I named him and I would hold onto him fiercely as he grew fat in my lap. The last to be chosen. The last to be pulled from my hands. 

I remember the light in the morning. The dew drops glistening. The silky stripe on the lizard’s crown. The glimmer of phosphorescence left by the snail. I remember the smell of geraniums, the sharp red taste of petals, the snap of the calla lilies' stamen, the yellow dust on my thumb. 

I  remember the taxo coming to fruit. 

I remember the capulí. Fat. Black. Juicy. The colibrí hovering. 

And I wonder, do genes have memory? And if so, what memories do they hold?

Does my body remember the song of my grandmothers singing to their Swedish cows? Are there cows today in Sweden who still, in the spiral of their being, remember my grandmothers’ song?

What imprint of beauty do we still carry? What beauty will we leave behind?

Picture
I wove the frame in class with Camola Valarezo from recycled materials against cardboard backing. Photo by my brother Tod Swanson of me in the backyard of our house in Quito with Blackie in my lap and my plastic bucket and spade. I was 4.
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    About the Author

    Lisa Maria Madera is an Ecuadorian American writer and educator whose work explores how cultural narratives shape our individual and communal relation to the Earth and her creatures.

    Madera's work has appeared in Ecopsychology, Hypertext, JSRNC, Minding Nature and in Kinship: Belonging in a World of Relations forthcoming from the Center for Humans and Nature. Her short story Luz Maria has been nominated for consideration in Best American Short Stories 2021.

    ​Dedicated to fostering compassionate and resilient communities connected to Nature, Madera also designs and hosts trips to Ecuador providing opportunities for observation and reflection on how our relationship to the world is shaped by the cultural narratives that define us.


    ​Madera offers her work in a vision of hope and blessing that these reflections might empower all of us to realign our relationship in kinship to the Earth, to her many creatures, and to each other, ultimately realigning ourselves in right relation to the world around us so that we might live sustainably and in community.

    Madera is currently working on a memoir entitled The Covid Chronicles: Lessons from Pacha Mama in the Face of Despair.     

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